For the last couple of years I've had the enormous privilege of being one of the judges on the New Zealand Crime Fiction Ngaio Marsh Awards, and I'm not joking when I call it a privilege. I've always been a fan of the work of New Zealand's fine band of Crime Fiction writers, but in the last couple of years, there's something going on over there that demands close attention. There's a sense of risk taking, of boundary pushing that's now palpable, along with an increasing pride in place and culture that's just wonderful. There's also a willingness to step away from that and take on a new setting / new place with aplomb. If you've not read any of the books on this shortlist in particular, but on the long-list as a whole then get on with it people - I know there are two on that Best First list that have just been ordered. You're missing out.
The finalists for the Ngaio Marsh Award for Best Crime Novel are:
- INSIDE THE BLACK HORSE by Ray Berard (Mary Egan Publishing);
- MADE TO KILL by Adam Christopher (Titan Books);
- TRUST NO ONE by Paul Cleave (Upstart Press);
- THE LEGEND OF WINSTONE BLACKHAT by Tanya Moir (RHNZ Vintage); and
- AMERICAN BLOOD by Ben Sanders (Allen & Unwin).
The finalists for the Ngaio Marsh Award for Best First Novel are:
- INSIDE THE BLACK HORSE by Ray Berard (Mary Egan Publishing);
- THE FIXER by John Daniell (Upstart Press);
- THE GENTLEMEN’S CLUB by Jen Shieff (Mary Egan Publishing); and
- TWISTER by Jane Woodham (Makaro Press).
It was just another Tuesday morning when she walked into the office--young, as I suspected they all might be, another dark brunette with some assistance and enough eye black to match up to Cleopatra. And who am I? I'm Ray, the world's last robot, famed and feared in equal measure, which suits me just fine--after all, the last place you'd expect to find Hollywood's best hit man is in the plain light of day.
Raymond Electromatic is good at his job, as good as he ever was at being a true Private Investigator, the lone employee of the Electromatic Detective Agency--except for Ada, office gal and super-computer, the constant voice in Ray's inner ear. Ray might have taken up a new line of work, but money is money, after all, and he was programmed to make a profit. Besides, with his twenty-four-hour memory-tape limits, he sure can keep a secret.
When a familiar-looking woman arrives at the agency wanting to hire Ray to find a missing movie star, he's inclined to tell her to take a hike. But she had the cold hard cash, a demand for total anonymity, and tendency to vanish on her own.
Plunged into a glittering world of fame, fortune, and secrecy, Ray uncovers a sinister plot that goes much deeper than the silver screen--and this robot is at the wrong place, at the wrong time.
Made to Kill is the thrilling new speculative noir from novelist and comic writer Adam Christopher.
Dunedin, in the grip of an unseasonal flu, is a city under siege. Then, after five damaging days of rain, a twister rips through, exposing the body of a missing schoolgirl in Ross Creek.
Detective Senior Sergeant Leo Judd is the only one who can lead the investigation despite unresolved sorrow over the disappearance of his own daughter nine years earlier.
Sultry weather broods over the beleaguered city as suspects are sifted and pressure mounts for Leo to solve the crime. Meanwhile, his wife Kate tries to summon the courage to tell him the secrets she’s nursed for too long — including one about the disappearance of their beloved Beth.